Francisco Goya in United States

The Sleep of Reason Produces Monsters

c. 1797

Don Manuel Osorio de Zuniga

c. 1787

Majas on a Balcony

c. 1808

Portrait of Sebastián Martínez y Pérez

c. 1792

Bullfight in a Divided Ring

c. 1816

Ferdinand VII (1784–1833), Prince of Asturias

c. 1800

Portrait of Tiburcio Pérez y Cuervo, the Architect

c. 1820

José Costa y Bonells, Called Pepito

c. 1800

Narcisa Barañana de Goicoechea

c. 1815

Condesa de Altamira and Her Daughter, María Agustina

c. 1787

Portrait of Josefa de Castilla Portugal y van Asbrock de Garcini

c. 1804

Portrait of Ignacio Garcini y Queralt

c. 1804

A Giant Seated in a Landscape, sometimes called 'The Colossus'

c. 1818

Self-portrait

c. 1795

Plate 21 from ' Los Caprichos': How they pluck her! (¡Qual la descañonan!)

c. 1799

Plate 40 from 'Los Caprichos': Of what ill will he die? (De que mal morira?)

c. 1799

Plate 19 from ' Los Caprichos': All will fall (Todos Caerán)

c. 1799

Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.)

c. 1799

Portrait of Tadeo Bravo de Rivero

c. 1806

Boy on a Ram

c. 1786

Portrait of José María Álvarez de Toledo, 15th Duke of Medina Sidonia (1756-1796)

c. 1795

El Maragato Threatens Friar Pedro de Zaldivia with his gun

c. 1806

Portrait of Isidoro Maiquez

c. 1807

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun

c. 1806

Friar Pedro Binds El Maragato with a Rope

c. 1806

Friar Pedro Shoots El Maragato as His Horse Runs Off

c. 1806

Portrait of General José Manuel Romero

c. 1810

Friar Pedro Clubs El Maragato with the Butt of the Gun

c. 1806

El Maragato Threatens Friar Pedro de Zaldivia with His Gun

c. 1806

Friar Pedro Wrests the Gun from El Maragato

c. 1806

The Hanged Monk

c. 1810

Winter Scene

c. 1786

Ruega por ella (She Prays for Her)

La filiacion (The Filiation)

Nadie se conoce (Nobody Knows Himself)

Por que fue sensible (Because She Was Susceptible)

Tragala perro (Swallow It, Dog)

Ni asi la distingue (Even Thus He Cannot Make Her Out)

Al Conde Palatino (To the Count Palatine)

Y aun no se van! (And Still They Don't Go!)

Que se la llevaron (They Carried Her Off)

Las rinde el sueno (Sleep Overcomes Them)

Ensayos (Trials)

Tantalo (Tantalus)

Le descanona (She Fleeces Him)

Volaverunt (They Have Flown)

El amour y la muerte (Love and Death)

Mala noche (A Bad Night)

Quien lo creyera! (Who Would Have Thought It!)

Muchachos al avio (Lads Making Ready)

Si sabra mas el discipulo? (Might Not the Pupil Know More?)

Miren que grabes! (Look How Solemn They Are!)

A caza de dientes (Out Hunting for Teeth)

Brabisimo! (Bravo!)

Buen Viage (Bon Voyage)

Estan calientes (They Are Hot)

Asta su abuelo (And So Was His Grandfather)

Donde va mama? (Where Is Mother Going?)

Que sacrificio! (What a Sacrifice!)

De que mal morira? (Of What Ill Will He Die?)

Alla va eso (There It Goes)

Bellos consejos (Pretty Teachings)

Ni mas ni menos (Neither More nor Less)

Aguarda que te unten (Wait Till You've Been Annointed)

Dios la perdone: y era su madre (For Heaven's Sake: And It Was Her Mother)

Tu que no puedes (Thou Who Canst Not)

Linda maestra! (Pretty Teacher!)

Bien tirada esta (It is Nicely Stretched)

El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters)

Sopla (Blow)

Ysele quema la casa (And His House is on Fire)

Hilan delgado (They Spin Finely)

Devota profesion (Devout Profession)

Todos caeran (All Will Fall)

Mucho hay que chupar (There Is Plenty To Suck)

Si amanece; nos vamos (When Day Breaks We Will Be Off)

Ya van desplumados (There They Go Plucked)

Correccion (Correction)

No te escaparas (You Will Not Escape)

Qual la descanonan! (How They Pluck Her!)

Obsequio a el maestro (A Gift for the Master)

Mejor es holgar (It Is Better To Be Lazy)

Pobrecitas! (Poor Little Girls!)

Soplones (Tale-Bearers -- Blasts of Wind)

No grites, tonta (Don't Scream, Stupid)

Aquellos polbos (Those Specks of Dust)

Duendecitos (Hobgoblins)

No hay quien nos desate? (Can't Anyone Untie Us?)

Nohubo remedio (Nothing Could Be Done about It)

Los chinchillas (The Chinchillas)

Esta umd. ... pues, como digo ... Eh! Cuidado! Si no! ... (You Understand? ... Well, as I Say ... eh! Look Out! Otherwise ...)

Si quebro el cantaro (Yes He Broke the Pot)

Se Repulen (They Spruce Themselves Up)

Unos a otros (What One Does to Another)

Ya tienen asiento (They've Already Got a Seat)

Lo que puede un sastre! (What a Tailor Can Do!)

Despacha, que dispiertan (Be Quick, They Are Waking Up)

Tristes presentimientos de lo que ha acontecer (Sad Forebodings of What Is Going to Happen)

Caridad (Charity)

Espiro sin remedio (There Was Nothing To Be Done and He Died)

Murio la verdad (Truth Has Died)

Con razon o sin ella (Rightly or Wrongly)

Populacho (Rabble)

Clamores en vano (Appeals Are In Vain)

Si resucitara? (Will She Rise Again?)

Lo mismo (The Same)

Lo merecia (He Deserved It)

Lo peor es pedir (The Worst Is To Beg)

Las mugeres dan valor (The Women Give Courage)

Estragos de la guerra (Ravages of War)

Al cementerio (To the Cemetery)

Y son fieras (And They Are Like Wild Beasts)

Fuerte cosa es! (That's Tough!)

Sanos y enfermos (The Healthy and the Sick)

Bien te se esta (It Serves You Right)

Por que? (Why?)

No hay que dar voces (It's No Use Crying Out)

Que valor! (What Courage!)

Que hai que hacer mas? (What More Can Be Done?)

De que sirve una taza? (What Is the Use of a Cup?)

Mascaras crueles (Cruel Masks) [recto]

c. 1796

Brujas à volar (Witches Preparing to Fly) [verso]

c. 1796

Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux)

c. 1824

El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos)

c. 1825

Picador Caught by a Bull

c. 1825

Dibersion de España (Spanish Entertainment)

c. 1825

Bullfight in a Divided Ring

c. 1825

Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)

Otro modo de cazar a pie (Another Way of Hunting on Foot)

Capean otro encerrado (They Play Another with the Cape in an Enclosure)

El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)

Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)

Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)

Un caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse)

Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid)

El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)

Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants)

El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)

El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body)

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)

Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)

Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)

Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa)

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid)

Echan perros al toro (They Loose Dogs on the Bull)

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)

El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique)

El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

Banderillas de fuego (Banderillas with Firecrackers)

Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)

La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)

Dios se lo pague a vsted (May God Repay You)

c. 1804

The Garroted Man

Francesco Goya y Lucientes, Pintor

Quien mas rendido? (Which of Them Is the More Overcome?)

Que pico de oro! (What a Golden Beak!)

Nadie nos ha visto (No One Has Seen Us)

El si pronuncian y la mano alargan al primero que llega (They Say Yes and Give Their Hand to the First Comer)

Chiton (Hush)

El vergonzoso (The Shamefaced One)

Ya es hora (It Is Time)

Que viene el coco (Here Comes the Bogey-Man)

Esto si que es leer (That Certainly Is Being Able To Read)

Hasta la muerte (Until Death)

El de la rollona (Nanny's Boy)

Porque esconderlos? (Why Hide Them?)

Subir y bajar (To Rise and To Fall)

Tal para qual (Two of a Kind)

Para eso habeis nacido (This Is What You Were Born For)

Barbaros (Barbarians!)

Carretadas al cementerio (Cartloads to the Cemetery)

Amarga presencia (Bitter To Be Present)

Grande hazana! Con muertos! (An Heroic Feat! With Dead Men!

Que alboroto es este? (What Is this Hubbub?)

Duro es el paso! (It's a Hard Step!)

Algun partido saca (He Gets Something Out of It)

Extrana devocion! (Strange Devotion!)

Y no hai remedio (And There's No Help for It)

Escapan entre las llamas (They Escape through the Flames)

Esta no lo es menos (This Is Not Less So)

Se aprovechan (They Make Use of Them)

Todo va revuelto (Everything Is Topsey-turvey)

Que Locuras! (What Craziness!)

No se convienen (They Do Not Agree)

Tambien esto (This Too)

Nada (Nothing)

Enterrar y callar (Bury Them and Keep Quiet)

Yo lo vi (I Saw It)

No Saben el camino (They Do Not Know the Way)

Ya no hay tiempo (There Isn't Time Now)

Y esto tambien (And This Too)

Contra el bien general (Against the Commom Good)

Curarlos, y a otra (Get Them Well, and onto the Next)

Portrait of the Marquesa de Santiago

c. 1804

Bullfight, Suerte de Varas

c. 1824

What a sacrifice!

c. 1799